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Office: Doudna Fine Arts Center 1343 Visiting Professor, Fall 2011: Harlaxton College, England (Evansville University Study Abroad Program) Visiting Professor, Spring 2006: Centre d'études supérieures de civilisation médiévale, University of Poitiers, France
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EducationUniversity of California, Los Angeles: Awards2012 Irish Heritage Council Grant to support photographic illustrations in Françoise Henry in Co. Mayo: The Inishkea Diaries
Research and PublicationsBooks Zodiaque: Making Medieval Modern 1951-2001 (University Park, PA: Penn State Press, 2013, forthcoming)
Articles and catalog essays "'Cluny in all its perfection': Ur-Basilica or Romantic Reconstruction?," Scholion/Kongressakten der Stiftung Bibliothek Werner Oechslin (Zurich: GTA Verlag, accepted) "Du martyr au monument: les reconstructions romantiques," Constructions, reconstructions et commémorations clunisiennes 1790-1910 (Rennes, Presses universitaires, 2012). "Celebrating the Medieval Past in Modern Cluny: How popular events helped shape collective memory for a small French town," Memory, commemoration and medieval Europe (UK: Ashgate, 2012) "Defining French 'Romanesque': The Zodiaque series," Journal of Art Historiography 1 (2009), 1-JTM/1 "La Pierre-qui-Vire and Zodiaque: A Monastic Pilgrimage of Medieval Dimensions" Peregrinations II, no. 3/4, SU 2009 "Recent Paintings by Sarah Lamb" catalog essay for Spanierman Gallery exhibition (New York City) October 10 - November 15, 2008. "Recent Paintings by Kate Lehman and Sarah Lamb," catalog essay for Spanierman Gallery exhibition (New York City) March 1-April 1, 2006. “Un Romantique à la recherche du passé: K. J. Conant à Cluny," Cahiers de civilisation médiévale (Poitiers) 48 (2005), 327-340. "New Frayed Edges: Anne Wilson", and "Donna Sharrett's Momentos" and "Toni Hambleton: Silent Spaces,"Woman's Art Journal 23:2 (Fall2002/Winter 2003) "Excavating Memory: Diane Elmeer's Recent Paintings" and "Secrets: Kathleen Browne's Revealing Jewelry" Woman's Art Journal 22:2 (Fall 2001/Winter 2002) "B(l)ack Talk: African-American Women's Confrontational Art", exposure 33: 1/2 (Winter, 2000-2001) "The People of Notre-Dame," Columbia University web site Notre-Dame de Paris 1998 Objects of Personal Significance: Still Life by Women Artists catalog for national traveling exhibition with nine venues curated with Mid America Arts Alliance/Exhibits USA September 1996-December 1998. Nothing Overlooked: Women Paint Still Life. Essay for exhibition catalog, Contemporary Realist Gallery, San Francisco, CA, January, 1995. "Katja Oxman: Working in the Tradition of the Woman Artist" Woman's Art Journal 15/1 (Sp/Su1994), 23-27. "Rethinking the Cultural Context of Foundations" F.A.T.E. Journal , 16 (1993/94), 16-19. "King David In Germany: Royal Traditions at Pruem" Essays in Medieval Studies: Proceedings of the Illinois Medieval Association, 9 (1992), 41-54. Editor, Essays in Medieval Studies: Proceedings of the Illinois Medieval Association, 7 (1990). "Ascension Sunday in Tropers: Innovative Scenes in the Pruem and Canterbury Tropers and Their Relationship to the Accompanying Texts", Proceedings of the Illinois Medieval Association, 6 (1989), 68-80. "Ottonian Imperial Saints in the Pruem Troper" Manuscripta, 33 (1989), 129-136. "Visual Reference Works for Producers" Medieval Music-Drama News (Kalamazoo) I/1 (Wtr 1982), 5-6. "The Original Significance of the Gunzo Legend at Cluny" Comitatus: A Journal of Medieval and Renaissance Studies 9 (1978), 55-62: Reviews Nina L. Dubin, C. M., Futures and Ruins: Eighteenth-century Paris and the Art of Hubert Robert (Los Angeles: Getty Research Institute, 2010) in: H-France Reviews Vol. 11 (2011), no. 160 [http://www.h-france.net/vol11reviewsno160Marquardt.pdf] Sherry C. M. Lindquist, Agency, Visuality and Society at the Chartreuse de Champmol (Aldershot, England and Burlington, VT: Ashgate, 2008) in: H-France H-France Reviews Vol. 9 (April 2009), No. 50 [http://www.h-france.net/vol9reviews/vol9reviews.html] Eleanor Heartney, Helaine Posner, Nancy Princenthal, and Sue Scott, After the Revolution: Women Who Transformed Contemporary Art (2007) in Women's Art Journal 29/2 (Autumn/Winter 2008-2009) Jean Nayrolles, L'invention de l'art roman à l'époque moderne (XVIIIe-XIXe siècles), Collection "Art & Société,". Rennes: Presses universitaires de Rennes, 2005 in College Art Association on line book reviews 2006: http://www.caareviews.org
Conferences and Presentations:Seeing Double: Texts And Images Shaping The Past, Special session co-organized with Véronique Plesch for the International Congress on Medieval Studies at Western Michigan University and sponsored by IAWIS, May 2013. “Françoise Henry’s observations in County Mayo,” in Françoise Henry, French art historian of Irish medieval art, Session organized for The International Meeting of The American Conference for Irish Studies in New Orleans, Louisiana, March 17, 2012. "Françoise Henry et l'art irlandais," in L'Historiographie française de l'art, Institut national de l'histoire de l'art (INHA) Paris, Nov 21, 2011 Nineteenth- and Twentieth-century constructions of French 'Romanesque' Heritage: The Abbey of Cluny and the Zodiaque Books, Centre for Medieval Studies and Art History Programme, Leeds University (UK). November 7, 2011 Keynote Address, Recasting the Past: Early Modern to Postmodern Medievalisms, University of Exeter, England. September 8, 2011 "Displaying / Musealising the Medieval in the Postcolonial Present" round table, International Medieval Congress, University of Leeds, England. July 13, 2011 "Demolition and Construction of Burgundian Romanesque," in The Politics of Architectural Destruction, National University of Ireland Maynooth, June 23, 2011 "Françoise Henry: Presenting Irish Medieval Art," Illinois Medieval Association annual conference, DePaul University. Feb 26, 2011 "From Early Christian to Neo-Romanesque: Finding Medieval Art in Ireland and France," Research symposium, Program in Medieval Studies, University of Illinois at Urbana-Champaign. Nov 2, 2010 "Renewing Sacred Art for the Twentieth Century: Zodiaque Editions 1951-2001," in History, Continuity, and Rupture: A Symposium on Christianity and Art History, Paris, France. May 26-29, 2010 Medieval Architectural Heritage: What is real? round table, First international meeting, European Architectural Network, Guimarães, Portugal. June, 2010 "Du martyr au monument: les reconstructions romantiques " in Constructions, reconstructions et commémorations clunisiennes, 1790-2010 Cluny, France. May 13-15, 2010 "Defining French "Romanesque": The Zodiaque series," in French Medieval Art and Taxonomy, Western Society for French History, Boulder, CO. October 22-24, 2009 Shaping Reception of Medieval Sites: What are we doing? Sessions sponsored by the International Center of Medieval Art for the International Medieval Congress at the University of Leeds, England. July 14, 2009 "Flying Off the Shelves: The Popularity of Zodiaque Books on Romanesque Art 1951-2001, in Shaping Medieval Patrimony session organized for Medieval Academy of America, Chicago IL. March 26-28, 2009 Pan-Feminism: The Dispersal of a Critical Attitude Session organized for the Committee on Women in the Arts of the College Art Association, Los Angeles, February 25-28, 2009 "The Role of Photography in Shaping Modern Appreciation of French Romanesque Architecture" in Kodak Monuments: Photographs of French Heritage session organized for Western Society for French History, Québec, CA. November 6-8, 2008 "Pilgrimage to Canterbury Cathedral," Canterbury Tales, 19th Annual Literature Conference, Eastern Illinois University. October 23, 2008 If These Walls Could Speak: The Lives Of Celebrity Buildings, day-long symposium organized of invited speakers as opening event for new Doudna Fine Arts Center at Eastern Illinois University, October 4, 2008 "The Zodiaque series of books on Romanesque art" International Medieval Society, Paris. July, 2008 "La Pierre-qui-Vire and Zodiaque: A Monastic Pilgrimage of Medieval Dimensions" Placing the Middle Ages: Contextualizing towards a Geography of Material Culture International Congress on Medieval Studies, Western Michigan University, Kalamazoo, Michigan. May, 2008 "Modernist Photographs in the Zodiaque Series of Books on Romanesque Art" Midwest Art History Society, Chicago, IL. April 2-5, 2008 "The Regions of the Zodiaque Series on Romanesque Art" in Common terrain: surveying geography in histories of art, architecture and visual culture, College Art Association, Dallas-Fort Worth, TX. February 20-23, 2008 "Why French Art?" Keynote address for Medieval Places: Geographical Approaches to Medieval Culture, University of North Texas Medieval Graduate Student symposium, Denton, Texas. November 8-9, 2007 "Celebrating the Medieval Past in Modern Cluny: How popular events helped shape collective memory for a small French town" Center for Festive Culture series seminar, Newberry Library, Chicago, Illinois. November 2, 2007 "Cluny in all its perfection : The Reconstruction of a Martyred Abbey Church," Basilika Kolloquium, Einsiedeln, Switzerland. September 20-23, 2007 "The Royals Visit Cluny: Commemorating the Medieval Past in 1910," Society for the Study of French History, St. Andrew's University, Scotland. July 2007 "Cluny's Jubilee of 1898: A Contrast of Memories" International Medieval Society, Université Paris IV - Sorbonne, Maison de Recherche, Paris, France. 27-29 June 2007 "The Royal Visits Cluny: Celebrating the Medieval City in 1910" Illinois Medieval Association, Eastern Illinois University, Charleston, Illinois. February 23, 2007 "L'Évolution de l'histoire de l'art aux États-Unis : Le rôle de K. J. Conant dans la tradition de Harvard et celui de ses dessins reconstructifs dans la salle de classe" Centre d'études supérieures de civilization médiéval, University of Poitiers, Poitiers, France. May 23, 2006 "Les Fêtes commémoratives, les sites chrétiens, et la culture visuelle du Moyen Âge : Cluny à 1898, 1910, et 1949" Centre d'études supérieures de civilization médiéval, University of Poitiers, Poitiers, France. May 15, 2006 "La Mémoire collective, la mémoire culturelle, et les monuments du Moyen Âge : L'héritage de l'abbaye de Cluny au dix-neuvième siècle II" Centre d'études supérieures de civilization médiéval, University of Poitiers, Poitiers, France. May 9, 2006 "L'Écriture de l'histoire du Moyen Âge en France et l'imagination romantique : L'héritage de l'abbaye de Cluny au dix-neuvième siècle I" Centre d'études supérieures de civilization médiéval, University of Poitiers, Poitiers, France. May 2, 2006 "The Construction of the Past in the Ruins of Cluny" Society for French Historical Studies, Urbana, Illinois. April 21, 2006 "Kenneth Conant's vision for an architectural reconstruction of Cluny" Architecture and Landscape Department, University of Illinois Urbana-Champaign, April 17, 2006 "Cultural Memory and Communal Commemorations at Cluny" French Department, University of Illinois Urbana-Champaign, Urbana, Illinois. April 7, 2006 "The Ruined Abbey: Romantic Memory and French Patrimony at Cluny" Rosemary Coffey Memorial Art History Lecture, University of Illinois Urbana-Champaign, Urbana, Illinois. April 6, 2006 Medieval Art and Architecture after the Middle Ages, organizer/co-chair
for ICMA sessions at Medieval Academy of America , Boston, Massachusetts.
March, 2006 Bringing a Feminist Perspective to Non-Women-Centered Topics, Organizer for Special Session, Committee on Women in the Arts, College Art Association, Boston, Massachusetts. February 23, 2006 "The Mouth of Hell and other Monsters on a Church for the Living Dead in Twelfth-century France" Booth Library lecture in conjunction with Frankenstein exhibit, Medieval Studies panel, Eastern Illinois University, Charleston, Illinois. November 2, 2005 "The Art and Artifice of Collective Memory: Changing Notions Of Artistic Patrimony,” Social Theory, Politics, and the Arts Conference at University of Oregon, Eugene, Oregon. October 6 to 8, 2005 "Le Moyen Age dans le 19eme siècle. Cluny: Lieu de Mémoire,” Musée du Petit Palais/University of Avignon, Avignon, France. May 4, 2005 "Un Romantique à la recherche du passé: K.J. Conant à Cluny,” Centre d'études supérieures de civilisation médiévale, University of Poitiers, France. May 2, 2005 "Cluny as a Romantic Souvenir," Branner Forum Series Lecture, Columbia University, October 13, 2004 "Celebrating Cluny's Resurrection," Romance Studies Colloquium, Montclair
State University, Jersey City, NJ, October 14-16, 2004 Debates in the Historiography of Medieval Architecture organizer/session chair for ICMA-sponsored session. International Medieval Congress, University of Leeds, Leeds, England. July 12-15, 2004 Monuments as Text: Case Studies from France and Italy session chair. International Medieval Congress, University of Leeds, Leeds, England. July 12-15, 2004 "Lost and Found: Cluny as an Historical Monument," annual symposium, International Medieval Society, Ecole de Chartes, Paris, France. July 8-9, 2004 The Corporatization of the University invited participant, panel discussion. College Art Association, Seattle, Washington. February 18-21, 2004 "An art-historical approach to the Luttrell Psalter," Booth Library Lecture Series, Eastern Illinois University, Charleston, Illinois. April 8, 2003 "What were Nora's Choices?" Talk-back session after opening night of Ibsen's The Doll's House, EIU Theatre Department, February 26, 2003 "The Politics of Memory in Post-Medieval France," Medieval Art in the Wake of the French Revolution (session co-chair) International Congress on Medieval Studies, Western Michigan University, May 2-5, 2002 "Site Relics: The Sacred Arm of Cluny III" Sewanne Medieval Colloquium, University of the South, Sewanee, Tennesee. April 11-12, 2002 "Site Relics: The Narratio of Cluny III" International Congress on Medieval Studies, Western Michigan University, Kalamazoo, Michigan. May 5, 2001 "Women Artists: Can you name 5 before 1971?" Weinberg College of Arts and Sciences, Humanities Residential College, Northwestern University, Evanston, Illinois. January 25, 2001 "Election 2000: Any Lessons for American Democracy?" Panelist, Eastern Illinois University, Charleston, Illinois. January 18, 2001 "Study Abroad in New York, London, and Paris 2000" International Programs Tea, Eastern Illinois University, Charleston, Illinois. November 29, 2000. "The Symbolic Place of Cluny III in French History," CIHA (Thirtieth International Congress of the History of Art), London, England. 3-8 September, 2000 "Memory and Identity, " in: Lot's Wife: Feminist Art History and Artists of Memory, Barnard College Annual Feminist Art History conference, October 29, 1999 "Exploring the People of Notre-Dame de Paris," explanation of the social history and contextual approach to this web site which was designed as a link on Notre-Dame de Paris, an Art History Media Center site of Columbia University. International Medieval Congress, Western Michigan University, Kalamazoo, Michigan. May 7-9, 1999 "B(l)ack Talk: African-American Women's Confrontational Art" Contemporary Art Session, Midwest Art History Society, Chicago, Illinois. April 1998 "Contemporary trends in Still Life Painting by Women," The School of the Art Institute, Chicago, Illinois. March 20, 1997 "Social Reality and Legend: Nineteenth-century Women Sculptors" Introductory lecture to public showing of film Camille Claudel by Women?s Studies Minor, Eastern Illinois University, Charleston, Illinois. March 6, 1997 Curator's gallery talk in conjunction with first venue of exhibition Objects of Personal Significance, Tarble Arts Center, Eastern Illinois University, Charleston, Illinois. October 13, 1996. "Classical and Medieval Images of the Afterlife" lecture for Dante in the 90's secondary education statewide conference at Eastern Illinois University, Charleston, Illinois. October 3-5, 1996. "Can the revised, cross-cultural Intro to Art be enough?" panelist presentation in: Visual Resources: How diverse images are introduced in the core curriculum F.A.T.E. conference, St. Louis, Missouri. March 23-26, 1995 "A How-To Guide on incorporating non-eurocentric examples into your Art History survey"Revising the Art History Survey: Preparing for the 21st Century F.A.T.E. conference, St. Louis, Missouri. March 23-26, 1995 "Issues in the Art of African-American Women" workshop for Illinois State Conference on Secondary Education. Eastern Illinois University, Charleston, Illinois. December 3, 1994. "Medieval Art from Sacred to Secular", guest lecture in seminar at the University of Tampa, Tampa, Florida. April 14, 1994. Consultant, Foundations Program Review, presentation and evaluation, Art Department, Appalachian State University, Boone, North Carolina. March 18-19, 1994 Chair, Medieval Iconography, Medieval and Renaissance Studies Conference, New College, Sarasota, Florida. March 12, 1994 Selected Participant/Presenter, Arts for Universities and Communities: Daring to do it Together, University of New Mexico, Albuquerque, October 14-16, 1993 "Rethinking the Cultural Context of Foundations" SECAC conference, Chapel Hill, NC, October 22, 1993 "Cross-Cultural Exposure and the Functional Context for Re-Organizing Foundations Courses? FATE session, SECAC conference, Chapel Hill, North Carolina. October 22, 1993 "Differences in the 19th century: Clara Wieck Schumann and Music as a Profession" Bridging Gaps: From Past Voices to Future Visions of Feminism, Florida Statewide Women's Studies Conference, University of Florida at Gainesville, Florida. April 8-11, 1993. "Creative and Practical Responses" panel moderator, Paradigm Shifts, National Council of Art Administrators annual conference, Ringling School of Art and Design, Sarasota, Florida. November 11-13, 1992 "Sources for Eve and Mary" Women in the Middle Ages, International Congress on Medieval Studies. Western Michigan University, Kalamazoo, Michigan. May, 1992 "King David in Germany: Royal Traditions at Pruem," Illinois Medieval Association Meeting, Monmouth College, Illinois. February 22, 1992 'Cross Disciplinary Session on Music and Art in the Middle Ages', session co-chair for College Art Association , Chicago, Illinois. February 13-15, 1992 "Issues in Contemporary Art: A panel discussion on current trends in the visual arts," organizer and moderator, Tarble Arts Center, Eastern Illinois University, Charleston, Illlinois. November 21-22, 1991 "Contemporary Women Artists and the Still Life Tradition" featured lecture for Fall, Tarble Arts Center, Eastern Illinois University, November 3, 1991 "Clara Schumann: Contributions and Restrictions of a Significant Nineteenth-century Woman Artist" Faculty Development Seminar, Eastern Illinois University, March 14, 1990 Co-Chair, Illinois Medieval Association Meeting, Eastern Illinois University, Charleston, Illinois. February 24, 1990 "Ascension Sundays in Tropers: The Innovative Scenes in the Pruem and Canterbury Tropers and Their Relationship to the Accompanying Texts," Illinois Medieval Association, University of Illinois, Champaign-Urbana, Illinois. February 25, 1989 "Local Saints Makes Surprising Appearances in the Pruem Troper" Central Illinois Byzantine Studies Coloquium, University of Illinois, Urbana-Champaign, October 25, 1988. "Local Saint Makes Surprise Appearance in Images of Roman Martyrs: The Unknown Figure with Chrysanthus and Daria in Paris lat. 9448". Fifteenth Saint Louis Conference on Manuscript Studies. St. Louis University, St. Louis, Missouri. October 14-15, 1988. 'Visual Images of Music: Sacred and Profane'. Special Session organized for International Congress on Medieval Studies. Western Michigan University, Kalamazoo, Michigan. May 5-8, 1988. "Medieval Music-Drama Rallye". Staff Art-Historian. Theatre Wagon, Staunton, Virginia. April 15-17, 1988. 'Visual Arts'. Session chair. "Teaching the Middle Ages" Terre Haute, Indiana. March 3-5, 1988. "An Early Medieval Manuscript with Miniature Paintings that Illustrate Its Unique Text" American Association of University Professionals Annual Lecture, Eastern Illinois University, Charleston, Illinois. March 15, 1987. "Illustrations of Troper Texts: The Painted Miniatures in Bibliothéque Nationale, fonds latin MS.9448" Words/Pictures, 21st International Congress on Medieval Studies. Western Michigan University, Kalamazoo, Michigan. May 8-11, 1986. "Illustrations of Troper texts: Four Miniatures from the Temporale in Paris 9448". Les Tropes et leur Manuscrits, Institut de Recherche et d'Histoire des Textes, France and Corpus Troporum (University of Stockholm), Couvent Saint-Jacques, Paris, France. October 14-19, 1985. Chair, session 198 Medieval Liturgy, International Congress on Medieval Studies. Western Michigan University, Kalamazoo, Michigan. May 3-7, 1980. Selected Participant, Medieval Music-Drama Workshops I (1979) and II (1981), an NEH project co-sponsored by Mary Baldwin College, Staunton, Virginia and organized by Dr. Fletcher Collins, Jr., Professor Emeritus. Service:Selected service outside the university: Member, International Center for Medieval Art
Member, College Art Association: Millard Meiss Publication Fund Jury, College Art Association, 2007-2012 Committee on Women in the Arts, College Art Association, 2004-2008 Mentor, Annual Meeting Career Development Workshops, 2001-2005 Member, Society for French Historical Studies
Member, Western Society for French History Member, Medieval Academy of America Member, European Architectural History Network Member, Society for Architectural Historians Member, International Association of Word and Image Studies Member Illinois Medieval Association President, 1990-91 Mentor, Society for Medieval Feminist Scholarship, 2006- Court Appointed Special Advocate (Guardian ad Litem) for children who are wards of the State of Illinois, Coles County 2007-present Mentor, Career Development Workshop, College Art Association Annual Conferences 2001, 2002, 2003, 2004, 2005 Objects of Personal Significance exhibition named Tampa Bay's #1 art event of 1998, Tampa Bay Times Jan 1, 1999 Presenter and Consultant, Foundations curriculum revision, Appalachian State Univ., Boone, NC, March, 1994
Selected university service: Director, EIU Study Abroad Program in Paris, 1996- Faculty member, EIU Women's Studies interdisciplinary program Member, Executive Committee, 2005-2006, 2009-2012
Faculty Member, EIU Medieval Studies Interdisciplinary Minor Member, EIU International Center for Global Diversity Advisory Committee, 2008-2011 Member, EIU National Student Exchange Advisory Committee, 2006-2010 Member/Chair, EIU College of Arts and Humanities Grade Appeal Committee, 2007-2011 Member, EIU Art Department Advisory Committee, 2007-2010 Member, EIU Art Department Art History search committee, 1998; 2007 Member, EIU Art Department Student Affairs Committee, 2003-4, 2005-6 Co-chair, EIU Art Department Painting Search committee, 2001 Chair, EIU Art Department, NASAD accreditation committee, 1995-7 Head, EIU Art Department Art History area, 1997- 2001, 2006-2008 Member/chair, EIU Art Department personnel committee, 1997-1999 Chairperson, Department of Visual Arts, University of South Florida, July 1992-August, 1994 EIU Art Department Graduate Program Coordinator/Graduate Council representative, 1990-1992 Member/Chair, EIU Art Department curriculum committee, 1989-1991 Chair, EIU Art Department Sculpture Search committee, 1988
Courses Taught : Art History I (first half of survey) Greek and Roman Art Early Medieval Art Romanesque and Gothic Art Women in Art Feminist Theory Art in Historical Context (introduction for Honors Students) Art Appreciation Art portion for team-taught course on the Fine Arts "Creating the Modern City, Art and Culture in Paris 1830-1930" (On site during month-long summer Study Abroad program directed for EIU since 1996) "Art and Literature in Three Modern Cities" (On site study abroad program in New York, London, and Paris, July 2000) Telecourse: Developed first EIU telecourse for School of Adult and Continuing Education, "Art of Past Cultures", as a series of 18 lectures based on material in the Annenberg/CPB program Art of the Western World , 1990-91; repeated at University of South Florida, 1993 |
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